One of the perks of working in a library is getting recommendations from patrons on what they read and liked. Many of the novels that I have come to love the most were little gems that came from these suggestions, so when a number of library members with whom I normally share reading tastes said read “Sting” by Sandra Brown, I put it on my to-read list. I’d read Sandra Brown years ago, when she was firmly in the romance or romantic suspense period of her career so I thought this would be more of the same and was delighted to find she’d carved out a great thriller, instead.
The novel begins with poised and polished Jordie Bennett in a seedy Southern bar, where she has attracted the attention of the bar patrons, especially two particular men. Unknown to her, these men are hired assassins and she is their target. Within a few pages, the hit has turned into a kidnapping as one of the killers, decides that rather than collecting a paltry sum for her death, he can shake her brother down for the 30 million in stolen mob money that he may have access to. The story then twists into a neat little cat and mouse between Jordie and her kidnapper, Shaw Kinnard, a man with secrets of his own. In this situation, Jordie must rely on her wits to survive.
“Sting” is like a roller coaster ride of a book, weaving happily in one direction before vering off somewhere completely different. I have read a number of thriller or romantic/thrillers but this one was full of surprises. Everything here works; the characters, the situation, the dialogue and the romantic elements complement each other well.
A number of writers who have honed their skills in the traditional romance market, like Catherine Coulter and Tess Gerritsen have moved on to write superb thrillers which I enjoy, now I will add Sandra Brown to that list. My only regret is that it took me forever to try her again. PS. I just checked out another of her books, “Friction”.
Werewolves, witches, and omens….are exactly what you won’t find in the newest series by supernatural queen Kelley Armstrong. She is best known for series’ such as Otherworld and Cainsville but with City of the Lost she takes a hard turn away from her signature style and ventures into murder mystery completely based in the human realm. This series is also referred to as the Rockton series or the Casey Duncan series in reference to the central locale and character.
Rockton is a town of last resorts and only accepts a select few. You won’t find it on any map or website and to become a resident you must apply to town council for approval, and even that comes with a limited term for your stay there. Imagine walking away from everything and everyone you know and disappearing into the Yukon to live without any luxuries or conveniences of modern urban life. It is supposed to be a safe haven for those with nowhere else to run – but recently the town has experienced its first murder. Enter Casey Duncan, a homicide detective with a secretive past and every reason to go off the grid. She arrives with her best friend who carries her own fair share of secrets and soon the action really gets going.
This should definitely be on your spring reading list – even if you haven’t been an Armstrong fan in the past but enjoy thrillers and murder mysteries.
Agatha Christie is one of the world’s bestselling novelists thanks to her 66 detective novels. According to her website, she has only been outsold by Shakespeare and the bible. Having never read an Agatha Christie novel before, I decided to read And Then There Were None, which is considered to be one of her best books. This is not just hearsay: And Then There Were None is listed on the Wikipedia List of Best Selling Books; it has an estimated $100 million in sales since it was published in 1939, and it remains in print today, with a new hardcover copy having been published in the fall.
And Then There Were None is the story of ten strangers with vastly different backgrounds who are all invited to stay at an island. After arriving, the guests are informed that their host and hostess are delayed; it’s around that point that they realize they were all invited under differing and rather mysterious circumstances. Then the guests start dying one by one. The first death can be explained as a suicide. But by the third death, there can be only one explanation: murder. After a thorough search of the island, the guests realize that they are the only ones present, which means one of their party is the murderer! How will the innocent guests figure out who the culprit is before they’re all dead?
While And Then There Were None is a little bit dated in its writing style, I can easily see why it remains the world’s best selling mystery novel. It is a bit light on the characterization, but I found that doesn’t really matter because And Then There Were None is all about the plot. It is an excellent mystery that will keep you guessing right to the end!
On my first trip to Ireland, I found myself in a bookstore discovering a number of new authors to me, including couple of great mystery writers, Liz Nugent and Brian McGilloway. While, Nugent has yet to break the North American market, McGilloway has been quietly building a fan base with his Benedict Devlin and DS Lucy Black series. Both writers are very distinctly Irish and the landscape, the language and the history of Ireland figure into the subplots giving a flavour to the books that adds to experience.
“Someone You Know” is the second in the Lucy Black series and begins about two weeks before Christmas, when the body of an at-risk sixteen-year-old girl is found lying on the train tracks. The body was placed there just before a scheduled train run but a railroad mechanical failure prevented the murder from looking like a suicide. The girl was known to the police due to her tragic home life and had disappeared from a care home a few days before her death. It quickly becomes clear that as well as the victim a number of other girls are being groomed by a stalker and that the police are in a race against time to prevent more murders. The identity of the killer seems obvious at first until a series of twists take both the reader and the police into unexpected directions.
Lucy Black grounds the book with a deep back story that is woven into her persona and effects how she works through the mystery. She is a damaged character, carrying the scars of a broken childhood with conflicted feelings about her father, who is suffering from dementia and her mother who abandoned the family but is now working as an administrator for the police force. The secrets she carries have made it difficult to trust anyone but empathic to the victimized and abused women and children that make up her caseload.
When I saw the book on the shelves at Eason, (the Irish equivalent of Chapters), the novel was called Hurt, but whatever the title it’s a great read and the perfect choice to introduce you to a fabulous series.
What could be better than curling up on a grey morning with a steaming mug and a cozy mystery! Possibly the only improvement to be made would be if that cozy mystery were focused on the world of coffee. Thankfully, and this is in no way a spoiler, the coffee plays no direct part in the murder. It does play a pivotal role in setting the groundwork for the Coffeehouse Mystery series; about the Village Blend coffeehouse in New York, its staff and the many adventures swirling like an intricate piece of latte art.
Clare Cosi manages the day to day operations of the Village Blend – a business steeped in history and no stranger to drama over the years. She arrives to work one day to find her assistance manager has been killed. The police come and go in what appears to be a simple accidental death case; but Clare is convinced there is something else going on and, like any truly dedicated and well caffeinated gumshoe, she gets to work.
This first book in the series brings the reader all the elements you would expect in a cozy mystery. And for the readers who love all things coffee, it brings even more with information and advice that proves its author has certainly done her research into the coffee industry. So far I have read two books from this series and have 14 left to go. Time to put on the coffee pot and settle in for a cozy Sunday morning!
Jesse Roberts – http://www.tbpl.ca
In the wake of books like Gone Girl and Girl on a Train, the latest novel by author Ruth Ware has been receiving a lot of press, as it combines first person point of view of a character that may or may not be an unreliable narrator and the classic crime story of a locked door mystery.
Travel writer Lo Blacklock has scored a prime assignment for her magazine to cover the inaugural voyage of an ultra luxury cruise liner through the Baltic Sea to view the Northern Lights. Following a night of partying, Lo wakes to what she believes is the tossing of a woman off the side of the boat. When she reports the crime, everyone claims that no one is missing and the cabin beside her was empty, but Lo remembers the woman, having borrowed mascara from her. Is she imagining things or is everyone conspiring against her? In the days leading up to the trip, Lo’s apartment was burgled and she is suffering from vivid nightmares and sleep deprivation; combine that with drinking and prescription medication, perhaps, she is wrong, so why is her gut telling her that she’s in danger?
The book is set in the modern day but carries the feeling of a golden age mystery like “The Lady Vanishes” or “Murder on the Orient Express” as our technology does us no good in the middle of the ocean, where we are isolated and at the mercy of others. This is an excellent read and Ware, the author of “In a Dark, Dark Wood” knows how to write a tight mystery. Despite enjoying the book, I must admit I never warmed to Lo, who is a conflicted and complex character, but would recommend this as a read for a cold winter night.
At first glance Midnight Riot is a murder mystery or perhaps a police procedural, however by page five Nicholas Wallpenny (ghost) is introduced and shortly thereafter the police are seeking traces of magic. Our protagonist, probationary Constable Peter Grant, is unusual in the realm of supernatural mysteries; he’s working within the policing establishment. While many police departments in the genre may employ wizards, witches, and the like as consultants, in this first of the Rivers of London series a lone Detective Chief Inspector leads a specialist unit all his own. That is until he meets Constable Grant and sees in him the potential for an apprentice.
So why with so much to choose from in this genre should you give your time to this book (and series)? For starters, Peter Grant is a thoroughly likeable while imperfect character. Easily distracted he does not fit the criteria to become a detective as he desires, but his interest in everything around him is exactly what draws the attention of Detective Chief Inspector Nightingale. Peter’s colleague Leslie May sums it up best saying that Peter doesn’t “see the world the way a copper needs to see the world – it’s like [he’s] seeing stuff that isn’t there.” It turns out that noticing the stuff that isn’t there is exactly what is needed in supernatural policing. Nightingale is fascinating in his own right and we are slowly given insight into his character over the course of the series. These two very different men each bring different skills to the table (only of the two really understands technology) to solve cases the Metropolitan Police couldn’t dream of solving on their own.
If you’re looking for an entertaining read over the holiday season with a good dose of humour I cannot recommend this highly enough.