Published in 2009 and classified under the genres of fantasy fiction / science fiction, Shades of Grey by Jasper Fforde is a far cry from other books with similar titles. Fforde is best known for his ongoing Thursday Next series and fans will find his standard flair in this dystopian tale. The story takes place in Chromatacia, where your social status and standard of living is dictated by your ability (or lack of ability) to see natural colour. As an example, Eddie Russet can only see red; meaning that every other natural colour appears grey to him and he only sees other colours (blue, yellow, purple, etc) by means of artificial enhancements to those items as produced by the national colour grid.
Chromatacia exists at least 500 years in the future after some sort of disaster wipes out current civilization. The population is governed by the rules of Munsell, which include some truly bizarre decrees such as a ban on spoon manufacturing. The entire place is highly complicated and convoluted, making for much more entertaining reading then it would reality. Protagonist Eddie Russet gets sent to the outer fringes to perform a chair census and in the process enters into a plot to break down the colour boundaries and work towards a more cohesive society.
Fforde incorporates wit, whimsy, revolution, and more into this engaging piece of fiction. With two more books slated to pick up where Shades of Grey ends, there is sure to be plenty more to look forward to from Jasper Fforde in the future.
In the follow-up to her bestselling novels, Me before You and After You, author Jojo Moyes has published an eclectic collection of nine short stories each from a woman’s perspective and dealing with a variety of themes from troubled relationships to near magical shoes. The longest story in the set is “Paris for One” and centres on Nell who by her own admission is “not the adventurous type”, but has given up a planned trip to Brighton to have a romantic trip to Paris with her boyfriend, Peter. At the outset it is clear that Peter has no intention of joining her, and instead of following her routine inclinations and cancelling, she embarks for Paris on her own. The weekend does not start promisingly when Nell finds her hotel has double booked her and she spends the first night sharing with a stranger. Preserving she soon discovers the delights of the city and the company of an attractive Frenchman named Fabien.
My favourite tale is “Between the Tweets” and follows a formerly popular TV personality with a squeaky clean image and sinking ratings. Mr. Travis is being trolled on the internet by a woman who claims to have had a spicy relationship with him. The story is a delight about a PR nightmare with an unusual twist.
Each tale in this collection is intriguingly written, and the characters are well drawn (if not necessary all entirely likeable) using dialogue for the most part mixed with subtle narration . Moyes experience as a journalist as well as a fiction writer is evident in the succinct use of description that give the barest of details and leaves much to the reader’s imagination.
This would be a great and quick read for Moyes fans and anyone would relishes the joys of an interesting short story.
This elegantly written book shows just how connected we all are. Here in Thunder Bay, it’s common to discover you have something or someone in common to almost everyone you meet. The “one degree of separation” phenomenon is understandable in a city the size of ours, but could it work in the metropolis of New York? This book proves it can, and one incredible dress is the touchstone that unites a group of nine diverse women. It’s appropriate that the dress at the centre of this book is an iconic little black dress. The dress takes on a mantle of magic as it fills a specific need for each woman that wears it. The dress is created by a pattern maker at the end of his career, so it’s special as soon as it’s made. A fresh off the bus model has the privilege to wear it first, and is an instant star. After that the dress becomes the main character of the story. Rosen gives the nine women their own chapter and voice, as their lives intersect with the dress. The dress works its magic in the lives of a Bloomingdales sales girl, a private detective, and a personal assistant, among others. Rosen’s writing is a delight to read, and helps keep all the stories straight. Readers discussing this book online have shared their own stories of life-changing moments, revealing that sometimes truth is stranger than fiction!
At first glance Midnight Riot is a murder mystery or perhaps a police procedural, however by page five Nicholas Wallpenny (ghost) is introduced and shortly thereafter the police are seeking traces of magic. Our protagonist, probationary Constable Peter Grant, is unusual in the realm of supernatural mysteries; he’s working within the policing establishment. While many police departments in the genre may employ wizards, witches, and the like as consultants, in this first of the Rivers of London series a lone Detective Chief Inspector leads a specialist unit all his own. That is until he meets Constable Grant and sees in him the potential for an apprentice.
So why with so much to choose from in this genre should you give your time to this book (and series)? For starters, Peter Grant is a thoroughly likeable while imperfect character. Easily distracted he does not fit the criteria to become a detective as he desires, but his interest in everything around him is exactly what draws the attention of Detective Chief Inspector Nightingale. Peter’s colleague Leslie May sums it up best saying that Peter doesn’t “see the world the way a copper needs to see the world – it’s like [he’s] seeing stuff that isn’t there.” It turns out that noticing the stuff that isn’t there is exactly what is needed in supernatural policing. Nightingale is fascinating in his own right and we are slowly given insight into his character over the course of the series. These two very different men each bring different skills to the table (only of the two really understands technology) to solve cases the Metropolitan Police couldn’t dream of solving on their own.
If you’re looking for an entertaining read over the holiday season with a good dose of humour I cannot recommend this highly enough.
Elephant and Piggie. Don’t Let the Pigeon Drive the Bus. Knuffle Bunny. These perennial story-time favourites were all created by one author, the endlessly original Mo Willems. In addition to his series titles, Willems also writes popular standalone books. Most child readers (and those who read to children) will be familiar with Goldilocks and the Three Dinosaurs and Tyrone the Terrible. This year, he has brought one series to a close and opened a new chapter.
After twenty-five stories, two gold medals from the Theodor S Geisel committee and five Geisel Honors, Willems has ended the adventures of Elephant and Piggie with The Thank You Book. These boisterous friends have had many adventures; including There is a Bird on Your Head! and We are in a Book! Told through humorous dialogue and simple, sparse illustrations, these books are a great pick for early readers and new installments will be missed.
However, rather than saying a final farewell to these popular characters, Willems is using them as a vehicle to bring attention to other exciting and worthwhile children’s authors in a new series called Elephant and Piggie Like Reading! In these books, Elephant and Piggie act as a framing device, introducing the story to readers and commenting on it in the final pages while another author writes and illustrates the central story itself.
I fully recommend checking out both of these new books. The Cookie Fiasco by Dan Santat uses a goofy cast of characters to introduce sharing and fractions to readers in a scenario all kids will recognize: four friends, but only three cookies. We Are Growing! by Laurie Keller explores individuality and self confidence amongst a group of silly grasses. Both books contain the humour and endearing characters found in Mo Willems’ own work and should satisfy any disappointed Elephant and Piggie super-fans.
Having returned recently from a wonderful trip to Ireland, I really wanted to love this book. The plot is centered about an American woman from Ohio that wins a pub in Ireland. The pub is being raffled off to pay a gambling debt of Ronan, the son the the deceased former owner. The woman, Carlene Rivers, decides this is her chance at a new life and not surprisingly falls passionately in love with Ronan. Both Carlene and Ronan have secrets and baggage, which slows the inevitable coming together of the two.
Parts of the book were enjoyable especially the descriptions of the setting, the antics of the pub regulars and developing relationship between Carlene and Ronan. Carlene was a difficult character to identify with, for though she was good-natured and well meaning; she was frequently prone to the type of supposedly humourous antics that would be more at home in a 1950’s sitcom. There were a number of plot threads that were introduced including Carlene’s former Irish boxer husband and the mysterious woman who looked like a famine victim and seemed to be stalking Carlene that were either left unresolved or wrapped up neatly within a page or so.
If you are looking for an undemanding and light read with a mix of romance, travelog and humour, this might be the book for you. Just a word about the language, for a conventional or unconventional romance there is a lot of swearing, (which is very true to the Irish character) but it might offend some audiences. For a GoodReads review, I’d probably award the book a 3 out of 5.
Everyone knows him – the child in the grade school choir who is asked to mime along when the class is singing. Or perhaps you are him and you know that you really are a good singer deep down but for some reason others seem not to agree. The author of Bad Singer: The Surprising Science of Tone Deafness and How We Hear Music is author and journalist Tim Falconer, and is both of these. He loves music but has to admit to being a “bad singer” and so he embarked on a journey through the worlds of music and medical science to first get a confirmation that he truly was bad, and then to find out if there was hope to get re-trained and improve. Unfortunately, he turned out to be one of the 2.5 percent of the population that has amusia – he is scientifically tone-deaf. Fortunately for us, he is a great writer and investigator and he is able to take the reader through his personal odyssey to learn what that means, and what there is to know about this phenomena.
It turns out that there is much more to tone-deafness than simply not being able to hit the exact pitch. There is rhythm, timbre, tone, the arch of the melody and other intangibles that he tries to identify through the scientists and music experts he sees. Musicality is not just a function of the voice, or the throat or the ear – it is truly experienced and translated in the brain and it is the brain at fault for the author and others’ inability to reproduce sounds in pitch or to hear when there is a difference.
It is a fascinating book and one comes to really root for Falconer who is so determined to understand his weakness and to become a more proficient singer and ultimately, to sing on stage for an audience. I won’t ruin the ending for you but I will highly recommend this informative and highly entertaining book which can lead one to a better understanding of why some can sing arias on the stage and others can sing their hearts out (but perhaps only should when they are in the shower.)
To find out if you might have amusia, look for the web-based sites he lists for self-testing.
Thunder Bay Public Library