Author Archives: Shauna

Interview with Lorraine Reguly

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picture of Lorraine RegulyLorraine Reguly, BA/BEd, is an author and English teacher-turned-freelancer for hire. She offers 4 different services on Wording Well: writing/blogging, and editing. She also helps others become published authors! Check out her services and see what she can do for YOU. You can also visit her author site, Laying It Out There.

Shauna Kosoris: Your first book, Risky Issues, is made up of mostly fictional short stories. Why did you decide to change to nonfiction for your new book, From Nope to Hope?

Lorraine Reguly: I saw that many people needed help.

I wrote about my suicide attempt, and that article hit the #1 spot on Google. I was getting over 500 people a day reading that blog post. I was surprised that so many people were contemplating suicide, and were looking for answers on what to do, on how to cope with their problems, and how to improve their lives.

As someone who continually struggled with suicidal thoughts for years, I wanted to share the exact strategies and techniques that I used (and still use, on occasion) to overcome mine. I also wanted to share how I maintain a positive outlook on life now. I am a much happier person than I ever was… now. Finally. Thank God!

From Nope to Hope is a book that will change your life! It also contains a built-in workbook with exercises for the reader to do (at the end of each chapter).

FYI… My first book, Risky Issues, was my “practice book.” I wanted to make sure I could go through all of the steps to self-publishing.

My second book is my pride and joy (next to my son, of course!). From Nope to Hope took me about a year to write, and I shed many tears during the process because of all the old memories it brought up. However, I completed it, published it, and sold many copies. I’m proud of myself for helping others. It brings me great joy to receive emails and messages from people I have helped. There is no greater feeling in the world than when someone tells me I literally saved their life. Wow. It’s just amazing!

After overcoming many obstacles in your life (many of which you share in From Nope to Hope), you were able to turn your life around. What do you credit with helping you get to this point?

There are many factors that contributed to the positivity in my life. The person who drove me to change myself was my son. He is also the reason I always chose to continue to live and move forward.

The other factors are the strategies and techniques mentioned in my book, From Nope to Hope.

However, it was the epiphany I had while I was in the hospital when my appendix burst in 2012 and I nearly died. I realized that I wanted to live, that I didn’t want to die without saying goodbye to my son, and that I had so many things I wanted to accomplish before I died.

So I began LIVING. I reconnected with my son, and many wonderful things happened as a result.

How Re-Uniting with My Son Impacted My Life tells them all!

Along with publishing your books, you’re also an accomplished blogger.  How did you get involved in copywriting?

Once I began blogging back in 2013, others started noticing me and how well I write. My writing is always perfect and edited to perfection. I started guest-posting as a way to “get my name out there,” and one website owner hired me to write articles each month for his site. I then began marketing myself as a freelance writer and editor.

Once I became an author, I started offering services to help others become authors too.

These are the services I offer.

What was your first published piece?

I have had many published pieces both online (in the last several years) and in local newspapers (about 20 years ago!) so I honestly cannot remember. Sorry!

For a list of my online publications, you can refer to my portfolio on Wording Well.

Thinking about Wording Well, why did you start your freelance writing, editing, and coaching service?

First and foremost, as a way of helping others. Secondly, to supplement my income.

I currently have multiple income streams. You can read more about them all in the article called The Essence of Blogging (+ How to Earn Money Online).

You have written many different pieces, from short stories and articles to blog posts and poetry.  Do you have a favourite writing style?  

LOL – I like them all!

I like writing true, factual accounts about both my life and about any topic, in general.

I love writing poetry.

My favorite would have to be sharing stories about my life, though. I love talking about myself and how far I have come in my life.

To learn a bit about the obstacles I have faced and the situations I’ve overcome, you can read My Life Journey (#inspirational #poetry + #motivational #poem).

What are you working on now?

I’m considering a historical book about Winston Hall, an apartment building that contained about 130 apartments before it ultimately burned down. It used to once house the women who worked in World War II and it, at one point, contained a bowling alley, a dance hall, and a concession stand that later became a convenience store.

In fact, my mom was the last person to run the store. I also worked there, as did my sister.

My paternal grandmother and grandfather lived in the building for about 40 years. I lived there, too, for about one-and-a-half years, with my son, when he was a baby (to age one). I had many friends who lived there. I grew up in a house across the street from Winston Hall.

Winston Hall was a HUGE part of my childhood!

What book or author inspired you to write?

No book. No author.

My mother was an elementary school teacher who quit teaching when I was born. I was her firstborn child and she taught me how to read and write at a VERY young age.

I was reading and writing cursive by the time I was in Grade 1. Other children my age back then were still learning how to print within two lines, and I was already writing within one. (I remember this because I got in trouble for disobeying my teacher. Can you believe that?)

Is there a book or author that you think everyone should read?

No. People should read whatever they are interested in.

My son does not read books, but he loves magazine and Internet articles.

I, on the other hand, prefer novels – mystery novels, to be exact.

And what are you currently reading?

I’ve heard many good things about Stephen King’s book, On Writing, and so I’m going to read that soon!

I’m currently reading (and editing) Maxwell Ivey Jr’s 3rd book. Max is a blind man from Houston, Texas, who is someone who is mega-inspirational to me. He lost over 250 pounds, runs two businesses, wrote a motivational guide book to success, wrote a book about weight loss success, and then travelled to New York City alone via train for the Christmas and New Year’s holidays in 2016-2017.

Max also uses social media, has two websites, and is internationally known as The Blind Blogger, a moniker I gave him! He is simply AMAZING and is someone I admire the most in this world.

Leading You Out of the Darkness Into the Light: A Blind Man’s Inspirational Guide to Success is his first book.

It’s Not the Cookie, It’s the Bag: An Easy-to-Follow Guide for Weight Loss Success is his second.

We are still finalizing the title for his third!

Learn more about Max’s books.

Learn more about mine.

Thank you so much for allowing me to share a few tidbits about me, my books, and my life!

Fro

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Interview with Chris Roberson

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picture of Chris RobersonChris Roberson is the co-creator, along with artist Michael Allred, of the iZOMBIE comics, which are the basis of the hit CW television series, and the writer of several New York Times best-selling Cinderella miniseries set in the world of Bill Willingham’s Fables. He is also the co-creator of Edison Rex with artist Dennis Culver, and the co-writer of Hellboy and the B.P.R.D, Witchfinder, and other titles set in the world of Mike Mignola’s Hellboy. In addition to his numerous comics projects, Roberson has written more than a dozen novels and three dozen short stories. He lives with his daughter, two cats, and far too many books in Portland, Oregon. You can find him on Twitter by following @chris_roberson.

Shauna Kosoris: Where did you get the idea for iZombie?

Chris Roberson: The inspiration for iZombie largely came from two questions I asked myself. The first was, just why do zombies need to eat brains in the first place? What were they getting out of them? And the second was, would it be possible to tell a zombie story that took place in the modern day and not in some sort of post-apocalyptic setting? Answering the first helped me figure out a way to answer the second!

In an interview with Tobias S. Buckell, you said that your brain likes to think up ways of turning odd bits of trivia into stories.  What’s the most interesting bit of trivia you’ve ever used for a story?

I was still living in Austin, Texas when I was writing the original series, and the stylist who had been cutting my hair for more than a dozen years had recently joined a competitive Skee-ball league. So every time I went in for a haircut, she would tell me all about the latest competitions, and how her team had done, and I was just fascinated by the whole thing. At one point I planned to do an entire story arc built entirely around skee-ball, with Gwen having to take a dead woman’s place and help lead her team to victory, having inherited the woman’s skill at the game. In the end, saner heads prevailed and the whole story was dealt with  in a handful of pages. But Mike Allred did a fantastic skee-ball themed cover for the issue, so it was all worth it.

That’s super fun!  So in 2015, iZombie became a television show – what was that like for you?

It was, and remains, incredibly surreal. It would be enough if our comic was still well remembered and being discovered by new readers, but for it to have taken on this second life as a TV adaptation, especially one as fantastic as iZombie is, and made by such talented (and friendly!) people, has been a source of continual amazement.

Moving away from iZombie now, how did you get involved with Fables?

Bill Willingham has been one of my dearest friends for the better part of twenty years, and he asked me if I would be interested in writing a fill-in issue of Jack of Fables. That was my entrée into comics, which I’d been trying to break into for nearly 18 years by that point. My fill-in issue was well received, which led to Bill and his editor Shelly Bond inviting me to write a miniseries featuring the Cinderella character from Fables, and I’ve been a full time comic book writer ever since.

Now that you write comics full time, do you still write prose?

I still do a bit of both, though largely concentrated on comics. My most recent novel, Firewalk, was published by Night Shade Books last fall, and I’ve recently contributed a short story to a forthcoming Hellboy prose anthology, but most of my time these days is spent writing scripts for comic books.

I’ve read that your writing group become the publishing imprint Clockwork Storybook. How did that happen?

Clockwork Storybook was originally just four of us—me, Bill, Lilah Sturges, and Mark Finn— meeting up every week to read and critique each other’s latest stories, but in time it grew into an online anthology of urban fantasy, in which each of us wrote stories featuring our own characters that were all set in the same fictional city. This was the early days of Print On Demand (POD), so it was a short step from online publishing to releasing novels and short story collections in POD editions. Bill was already the old pro at that point, but the rest of us were still learning our craft, and I think that Clockwork Storybook played an immense part in helping shape the kinds of writers that we became.

Monkeybrain Comics, the imprint that you and your business partner, Allison Baker, launched was originally Monkeybrain Books.  Why the switch to comics?

Monkeybrain Books was an offset publisher (that is, traditionally printed and bound books, not Print On Demand) that originally specialized in nonfiction genre studies, and then went on to expand into novels, reprints, short story collections, anthologies, and even an art book and an encyclopedia! With the contraction of the bookstore market, around the time that Borders closed up shop, our book sales had dipped to the point where it didn’t make economic sense for us to keep printing traditionally anymore. But it was around that time that Allison and I started thinking about ways in which we could produce and distribute comic books digitally, which led to a partnership with ComiXology and the launch of the Monkeybrain Comics imprint.

So what are you working on now?

Most of my time these days is spent writing comic book miniseries set in the world of Mike Mignola’s Hellboy. One series I did in collaboration with Paul Grist, The Visitor: How and Why He Stayed, recently wrapped up, and will be available in a collected edition later this year, and I’ve been collaborating with Mignola and a stellar cast of artists on the continuing Hellboy & The BPRD series, which are Cold War-era adventures set earlier in Hellboy’s career.

Let’s finish up with a few quick questions about reading. What book or author inspired you to write?

Oh, wow. ALL of them? I joke, but it’s hard to point to any single point of inspiration. But the novels of Michael Moorcock were immensely influential on me from high school onwards, and reading Matt Wagner’s comic book series Mage: The Hero Discovered  in my senior year was probably the single greatest influence on my development as a comic writer (which is why I’m thrilled that we’re finally getting the long away third installment, Mage: The Hero Denied).

And what are you currently reading?

I just started reading Grady Hendrix’s novel My Best Friend’s Exorcism, and as a child of the 80s who grew up immersed in pop music and horror movies, it is hitting me right between the eyes. Highly recommended!

Check Out the New Artwork at Waverley’s Vinyl Listening Station by Duncan Weller!

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Duncan Weller in his art

Duncan Weller is a very complex person; chatting about his art, he exudes a nervous energy, yet is simultaneously very soft-spoken and unassuming. “I love to draw and paint all sorts of subjects,” he says when asked about the complexity that is in many of his pictures. “I love assembling a number of images together.”

Along with being a visual artist, Weller is a writer, designer, publisher, promoter, and salesperson who lives here in Thunder Bay. He has written and illustrated several children’s books, a book of short stories for adults, and a book of poetry. One of his children’s books, The Boy From the Sun, won the Governor General’s Literary Award in 2007 for Illustration in Children’s Literature. The way his artwork and writing go together to tell his stories is deliberately planned: “I’ve actually thought quite hard about what I want to say and work hard to get ideas across. Some ideas are clearly in the text, but there can be an entirely different story created in the visuals that run in tandem with the story line.”

You can often find Weller at the Country Market, where he rents a booth and sells his books. The Country Market is where he met Bobbi, the model in the painting Weller created for the Thunder Bay Public Library. He was really inspired by her great attitude and wanted to capture her beaming face. Weller spent more time than he had planned to on the painting; it ended up taking two weeks to finish. He used acrylic to paint her pants and the purple background, while her upper torso, blouse and hair were painted in oil. Her natural hair is braided; she liked the idea of being painted with an afro.

Weller also rents a gallery on North Cumberland Street. “The gallery is fun,” he says. “It’s nice to see my work up on the walls. If I don’t have enough wall space, they’re in boxes.”  The gallery takes a lot of time, so he has created a work space inside of it. That was where the painting was created – he nailed the masonite up onto a wall and started painting. At the gallery, his eventual plan is to have other people’s work shown as well as his own.

While some artists mainly worry about creating artwork that sells, that is not Weller’s primary concern. “The whole idea of being an artist is to do your best work, to challenge yourself and see what you can do,” he says. “Too many artists hold back or rely on an ideology that makes it too easy to be an artist. I see nothing wrong with blowing people away, creating a sense of awe and mystery and wonder and excitement. If it’s fun for me, it’s got to be fun for the viewer.”

art work at the Waverley Vinyl Listening Station

Batman: The Dark Knight Returns by Frank Miller

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Do you remember the campy version of Batman from the 1960’s TV show?  That’s the way he was portrayed for several decades. But everything changed in 1986 thanks to Frank Miller’s Batman: the Dark Knight Returns. Miller’s depiction of the Dark Knight, along with Alan Moore’s Watchmen, ushered in a new, darker era for comic books.

The Dark Knight Rises is itself a very interesting read. Batman retired ten years ago. But crime has continued unabated in Gotham City. When an extremely violent gang appears, something within Bruce Wayne snaps and he can’t keep Batman hidden inside anymore. But Wayne is over fifty years old; fighting crime is much harder in his aging body.

Gotham City has also changed. Commissioner Gordon is retiring. His chosen replacement, the first woman Commissioner, feels the Dark Knight is a menace who must be hunted down. This is part of a larger debate within Gotham City, where various individuals weigh in on how they feel about the Dark Knight’s return. This part of the story feels very relevant to today, both in the way that it is presented (with talk show hosts bringing in various guests to debate) and in how divided in thought everyone is. And while The Dark Knight Returns has these modern aspects, it is also very much a product of its time, having been written during the Cold War; it expressly deals with people’s fears from the time (but with a superhero twist).

One warning though: the physical book is rather daunting thanks to the sheer amount of dialogue in it. The art is also not particularly appealing, making this graphic novel a bit harder to get through as well. But the story is very much worth it!

Interview with Duncan Weller

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Duncan Weller in his art

Duncan Weller is a writer of children’s books, adult fiction and poetry.  He is also a visual artist who shows his work regularly.  He lives in Thunder Bay, Ontario, and travels often to get ideas and images for his books.  He won two of Canada’s top awards (Governor General’s, Schwartz) for his picture book, The Boy from the Sun.  You can find him online at duncanweller.com. And check out his artwork at the Vinyl Listening Station at Waverley Library!

Shauna Kosoris: So what came first for you: art or writing?

Duncan Weller: Children are quite happy to draw until they learn to write. The interest in writing supersedes drawing because words more easily express ideas and feelings than pictures. I kept drawing as I learned to write to satisfy an itch that I can’t explain. According to my mother, my first spoken word as a one year old child occurred when looking at a sundown over the Ottawa River. I said, “Pretty,” and not another word for three months. In my twenties I thought of myself as a visual artist. I was getting paid for my art long before my writing, but today I don’t distinguish between the two as powerful twins.

In university, you were originally in Fine Arts. Why did you decide to switch to English?

I wanted to learn about the history and methods of creating children’s books and other forms of literature. And at the time the Fine Arts Departments across North America emphasized modern art, which has value for some, but wasn’t my thing. The philosophical underpinnings of modernism was too subjective for my taste and Fine Arts departments completely ignored the potential of popular culture.There’s nothing wrong with the traditional functions of art when those traditional functions are used progressively to dramatically enrich a democratic society. And humanism is at the core of English literature which applies not only to visual art, but to cultures the world over. That emphasis, of art with a mission beyond aesthetics, ideology and the self struck me as more meaningful and useful.

Do you normally write or illustrate your books first? A Starship by Duncan Weller

Stories are movies in my mind, complete with settings, plot and characters long before they are organized into a format using words and images. In order for others to enjoy my books, movies on paper, I have to make the computer keyboard come atonally alive with the laborious part of organizing words and sentences into a meaningful story enhancing and being enhanced by the illustrations. It’s a complicated balancing act, so I make notes, a good outline and/or a story board. So again, the writing and illustrations come together. Hundreds of stories were memorized by griots or bards who passed down stories orally for thousands of years. I’m not that clever, but I have entire plots and ideas for novels worked out in my head where not a sentence has been formed, not a drawing made.

What is your favourite artistic medium to work with and why?

Watercolour is amazingly versatile and perfectly suited for illustrating children’s books. With the right paper and techniques, watercolour effects can mimic the texture of skin, bark, cloth, steel, clouds, water, etc. in wonderful ways. Oils are my second favourite. A story I completed called Lara Wood, yet to be printed/published was done in oils and alkyds. I used a crackle medium to imitate tree bark. It looks awesome. Painting faces with oils is the best way to go if you want to take your time and blend skin tones nicely, along with creating setting effects, like skies and atmospheres. For the books I’ve used all sorts of different mediums and plan to use more in the future.

In your books, you’ve written both prose and poetry. Do you have a preference for one or the other?

Prose. It’s so much easier. And safer. Poetry is hard to write and dangerous. An incredible number of poets commit suicide. This is because poets often look deeply inwards, searching for bigger truths in the well, reaching beyond the rejuvenating properties of the drinking water and heading straight for the rocky bottom. Also, the subjective nature of poetry and lack of financial support makes the life of a poet pretty hard. At its best poetry can be the most perfect form of human expression so I look forward to writing poetry for future children’s books. I look deeply, but I don’t plumb the depths of my own being for the rocky bottom. I’m not all that interested in ultimate truths. I believe there is some kind of order to the universe, and I have a few ideas about how it works, but I wouldn’t dare to take myself too seriously. I leave these depths to scientists and philosophers and try to look at the outside world as an observer with a heart. And because I’m sensitive I like to keep the poetic impulses to a minimum. I’ll live longer this way.

That’s fair. I know you’ve made videos of some of your children’s books; are you still working with film at all?

Occasionally I work on painting backdrops that may one day be green screened into a short film I want to make. And I’d love to make animated shorts and short films, leading up to making a feature film one day, but films get made by teams and require lots of management and money. So I’m sure I’ll do a few more small projects, maybe one next year.

The Ugg and the DripAs both a writer and illustrator, you must get pulled in so many different directions artistically.  How do you decide on the project you will focus your attention on?

As a writer, painter, designer, publisher, promoter, and salesperson I have to balance too many jobs with paying for rent and food like anyone else. So I take on commissions occasionally to earn some quick money. My book projects are eventually more profitable, and more so if I can find an agent and a good publisher this year. It’s expensive to print a book on my own, and will put me in debt for a while, but will eventually earn me good money. Despite the complications, choosing a project or starting a new project comes from feeling inspired or just getting bored with painting in one medium. Sometimes it’s a sudden rush of emotions that are connected with a story I love that I just can’t wait to work on. It’s also about timing and situations, some just too hard to explain.

What are you working on now?

Right now I’ve got three visual art commissions that will pay the rent. In my spare time I’m working on three different novels with lots of interesting characters and situations: We Play You (for adults) is about an artist who has his work stolen by a gallery owner. He discovers that the gallery owner is connected to an investment company that steals art from artists the world over. Punch-Out and The Search for the Ugg are two middle readers for kids. The Ugg story will have over 80 small illustrations. I hope to have Tiger Dream, a new picture book, completed this year.

So what book or author inspired you to write?

As a teenager I read nearly a novel a day, everything from Farley Mowat to dozens of science fiction authors, along with all the required books in high school, enjoying the Russian authors, Shakespeare and George Orwell. In University I was a big fan of the English Romantic Poets, Roald Dahl and the political writings of many American journalists, especially Tom Wolfe who blew up the writing world decades ago with his dramatic writing style. These days I read Ian Rankin and lots of political articles. I am looking to get back into reading a greater variety of novels by joining a book group.

What books influenced your children’s books?A picture from Girl from the Moon

For children’s books I had a few favourites like Where the Wild Things Are, In the Night Kitchen, books featuring Mr. Ben Red Knight, Graham Oakley’s church mice, a couple books by Dr. Suess, Jack Ezra Keats (Goggles! was my favourite), and a few oddball books from Europe including the strange imagery in Eastern European books of folktales. Hans Christian Andersen’s “The Emperor’s New Clothes” was my absolute favourite because the allegory applied to all sorts of strange adult behaviours. Most often I was disappointed as a child with children’s picture books. I felt the authors and illustrators had very little imagination, playing it safe, especially when compared to the amazing imagery in movies and television which also had a big influence on me. The Tom and Jane series that my mother got me as a young child made me feel ill. These books and many others were so bad I thought adults were robots who had no idea that children had feelings. I didn’t want to grow up to be an adult. For a while I thought adults were another kind of animal. At the age of nine a school librarian recommended we read the picture books with gold stickers on their covers. After I read over twenty books with gold stickers I told my classmates that books with gold stickers were the worst. It was about this time that I gave up on picture books and began reading comic books. I recall how disappointed I was when I made this as a conscious decision. At seventeen I thought I could make a ton of money writing good books for children because so many of them were terrible. In my early twenties I discovered Roald Dahl which later had a big influence.

Is there a book you think everyone should read?

For anyone interested in the visual arts I would recommend Learning to See by Alan Gowans. It’s out of print, but old copies can be ordered from Amazon and found in secondhand book shops in British Columbia. Gowans was an art historian who taught at the University of Victoria. He offered an alternate history of art that is amazingly coherent, practical and useful for artists if they ever feel confused about what art is for – about the amazing things that art can do for people.

And what are you currently reading?

I’m reading a book by Keli Goff called Party Crashing: How the Hip-Hop Generation Declared Political Independence. It’s one of many books I’m reading about race relations in order to improve the allegory for a story called Tiger Dream. I want to show children that it’s okay for us to eat, dress, talk and express ourselves differently because underneath the human dress (culture) we are all biologically the same. Our variety of cultures make the world an amazing place. I have to do a lot of reading for this story to better develop the allegory and ensure I’m representing other cultures accurately and positively. My research for Tiger Dream began with a trip to Ghana, which was made possible by a Chalmers’ Art Fellowship Award through the Ontario Arts Council.

Duncan Weller's books

Interview with Ruta Sepetys

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Photo of Ruta Sepetys by by Magda Starowieyska

Photo by Magda Starowieyska

Ruta Sepetys is the New York Times bestselling author of Between Shades of Gray, Out of the Easy, and Salt to the Sea. Born and raised in Michigan, she grew up in a family of artists, readers, and music lovers. She currently lives in a treehouse in the hills of Tennessee. You can find her online at rutasepetys.com.

Shauna Kosoris: What inspired your newest book, Salt to the Sea?

Ruta Sepetys: My father’s cousin was involved in the refugee evacuation of East Prussia and was granted passage on the Wilhelm Gustloff. By a twist of fate, she did not board the ship the day it sailed. She shared the story with me and that inspired me to write about it.

How fortunate! Your novels are all historical fiction; how much time do you typically spend on research for them?

I typically spend three years researching each novel. I know it seems like a very long time, but it goes so quickly!

What was the most interesting fact you discovered while researching the Wilhelm Gustloff?

There were so many interesting and surprising things I discovered, but one that stays with me is that it’s estimated that during World War II, over 25,000 people lost their lives in the Baltic Sea.

Wow! On your website, you say that while researching your books, you interview people who have experienced the event you’re writing about, then you combine their stories into one character.  Have you always used this method to make your characters?  

Yes, I generally interview and research the background of dozens of people and then weave elements of all of them into one character. That allows me to represent a larger human experience.

Are any of the characters in Salt to the Sea based off of real people, or are they all amalgamations of people you have interviewed?

The main character of Joana was partially inspired by the story of a Lithuanian nurse who fled during the evacuation, but then I quilted together elements from several other witnesses as well.

All three of your books are set between 1940-1950.  Why does that decade appeal to you?

I’m drawn to stories of strength through struggle and the journey of finding meaning through hardship. The war and post war period are full of experiences of hope, courage, love, and loss.

So what are you working on next?

I’m currently working on a novel set in 1957 Madrid, during the dictatorship of Francisco Franco in Spain.

Good luck with that!  Let’s finish up with a few quick questions about reading. What book or author inspired you to write?

There were many authors and many books, but as a young child I was incredibly inspired by the work of Roald Dahl. His books are so full of creativity and imagination, of innocent young people at the mercy of unsavory adults. I still cherish my copy of James and the Giant Peach.

Is there a book or author that you think everyone should read?

I love Man’s Search for Meaning by Viktor Frankl. It reminds us that even if suffering is unavoidable, we alone choose how we cope with our suffering.

What are you currently reading?

I’m currently reading research materials for my new book, so I’m reading Interrogating Francoism by Helen Graham. Once I’m finished with research, I can’t wait to read Vincent and Theo: The Van Gogh Brothers by Deborah Heiligman.

 

Salt to the Sea cover

Groot by Jeff Loveness and Brian Kesinger

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Since the first Guardians of the Galaxy movie came out in 2014, comic fans everywhere fell in love with this previously little-known superhero team. Out of the whole group of loveable misfits, my favourite is probably Groot, the sentient alien tree. I think I’m not alone in this because Marvel Comics decided to give Groot his own solo adventure, written by Jeff Loveness and drawn by Brian Kesinger.

 

Even though he’s been to Earth many, many times, in Groot’s opinion he’s never really experienced Earth. So he talks his friend, Rocket Raccoon, into going on a road trip to Earth. The pair take the slow route, starting their adventure by hitchhiking through space (after their vehicle explodes). Along the way they encounter a bounty hunter named Eris who wants the enormous bounty on Groot. When Eris accidentally captures Rocket instead, she decides to use him as bait. But no one accounted for Groot taking his time. He comes to Ricket’s rescue in his typical slow way, having many adventures and meeting many new people on his journey to save his friend.

 

While Groot is a crazy and fun adventure (as befits a superhero story), it’s also a very touching tale about friendship. Groot always finds the best in everyone, no matter who they are and what they can do. He’s also filled with a rather childlike sense of wonder at seeing the beauty of space and the marvels of our own planet; his outlook will have you looking at the world around you with fresh eyes. Groot made me love this big-hearted tree more than I thought possible, and I’m sure you’ll feel the same if you give this graphic novel a chance